Here are some arguments for both sides:

A) Art – many people think about electronic photography as an fine art because it enables for an expression of emotion. They think that digital photography is really a continuation of the art of drawing or painting. You see, digital photography is just like painting in the sense that although it does take accurate pictures of reality, it also allows for some modification via the various digital tools obtainable today.

Even without the editing many people still believe that electronic photography is art because from the truth that it does take an artist’s eye to find a great subject of digital photography. The character of digital photography as an fine art has some thing to do with the fact that an artist is able to express emotions and statements through visual subjects.

The supporters from the “artistic nature of electronic photography” also argue their case by stating its capability to convey emotional messages through aesthetics. The beauty of each photograph, obviously, requirements also to be credited to the person taking the pictures. One from the strongest arguments for the artistic character of electronic photography is the fact that the picture is rarely really what is seen using the naked eye. Through the camera and pc, a person can alter the image in order to present what he or she wants to show.

B) Science – some people argue that science may be the true character of digital photography. One argument is that photography, unlike painting, really comes from some thing existing and not from a painters mind or emotion. This could be very persuasive since, indeed, a photographer doesn’t actually make photographs. He or she merely takes them.

Another argument regarding the scientific nature of digital photography is the fact that the editing that people do and adjustments that photographers make are based on a series of steps that could be narrowed down scientifically. Individuals who argue for the scientific character of electronic photography may reason that the same series of steps could be taken in order to achieve the exact same results. There’s a certain high quality of constancy about digital photography that renders it a science.

But what is the correct nature of digital photography? We have read the various arguments supporting science and art. There appears to be no solution to this question, right?

The true nature of electronic photography will always remain to become a paradox. This means that though it can be regarded as an art, it can also be regarded as a science. When is the paradox from the nature of digital photography solved? Well, it’s solved when a person requires a digital photograph.

The correct nature of digital photography lies in the hands of the individual who takes the pictures. The way a person treats the process defines the character of electronic photography for him or her. It is not absolutely art nor is it absolutely science. The correct character of electronic photography is really a paradox. It might seem to become contradictory, but it’s somehow true.

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Equipment needed to convert VHS to digital media camcorder-Digital
The first thing you need to do is collect the pieces of equipment that will be necessary for you to record video into digital format. This includes a VCR or analog camcorder, digital camcorders, computers with the recommended minimum requirements: Pentium 4 or equivalent, 512MB memory, 20G disk, video editing software, DVD burners and blank DVD media.

Now you have all the equipment you are ready to begin and begin to change VHS to digital media camcorders. You now have the first connection and you want video and audio inputs to determine on a digital camcorder.

Find out where they are, so you are aware of and keep in mind that you can have an open space somewhere in the camcorder for this input. Now you want to check your VCR output, and if you do not have S-video output you will have the composite jacks.

Feed Conversion
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Now you’re ready and really will do the conversion. You need your computer, digital camcorders and VCRs, and start the video editing software on your computer
. Your computer can auto-mode, so waiting to see if the boot software on their own before trying to start your own.

Now you’re ready and really will do the conversion. You need your computer, digital camcorders and VCRs, and start the video editing software on your computer
. Your computer can auto-mode, so waiting to see if the boot software on their own before trying to start your own.

Now you’re ready and really will do the conversion. You need your computer, digital camcorders and VCRs, and start the video editing software on your computer
. Your computer can auto-mode, so waiting to see if the boot software on their own before trying to start your own.

If the camcorder video editing software recognizes the device is connected, then you should be able to go and check your resolution for video recording. As long as there is enough space on the computer for long software to convert, willing you are fine and can continue to the next step.

Furthermore, in the process of converting VHS media to digital camcorders, you rewind the VHS tape, and then you want the play button on VCD and hit the record button on the video editing software. Which will make the conversion process of digital media and VHS camcorder you can do this now for all your VHS tapes and make them digital.

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When practicing your digital photography, ss a rule of thumb, the area 1/3 in front of and 2/3 behind the subject is the actual distance in focus. If for example you were looking at an item which varies over time (such as an assembly line), will the object always be at the working distance precisely or will it tend to move farther or nearer over time to the lens/camera combination? A depth of field from five to 16 feet, e.g., would mean everything closer than five feet and farther than 16 feet would be out of focus.

Another aspect of digital photography is this; Depth of field is influenced by the focal length of the lens in use, the f-number setting on the lens, and the distance from the camera to the subject. It can be shallow or deep, and can be totally controlled by the photographer. It is one of the most creative and profound effects available to photographers.

Depth of field varies with lens aperture, focal length, and camera-to-subject distance. Depth of field depends on the lens opening, the focal length of the lens, and the distance from the lens to the subject. With a greater depth of field, more of the scene near to far is in focus. Lens aperture and scene lighting will greatly influence the D.O.F. When the lens is set to a smaller aperture, a greater depth of field results i.e. subjects close to and further away from the camera will still appear in focus. In digital photography especially a shallow depth of field allows you to focus tightly on your subject, with any background or foreground out of focus.

You can control or exploit depth of field in your digital photography by varying three factors: the size of the aperture; the distance of the camera from the subject; and the focal length of the lens. If you decrease the size of the aperture, the depth of field increases; if you focus on a distant subject, depth of field will be greater than if you focus on a near subject; and if you fit a wide-angle lens to your camera, it will give you greater depth of field than a normal lens viewing the same scene. Many SLRs have a depth of field preview control – a button that closes the lens diaphragm to the aperture selected for an exposure so that the depth of field in the image can be checked on the viewing screen first.

If you are not sure how to make interesting composition in digital photography then I recommend starting with narrowing your depth of field. The best way becoming expertly skilled in digital photography is to practice, practice, and practice!

Best wishes, Amy

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In case you weren’t already aware, the main difference between a zoom lens and prime lens is that a zoom lens enables you to adjust your focal length between a certain range (for example 18-50mm), whereas a prime lens has a fixed focal length.

So you might be wondering what the point is of using a prime lens. Surely if you have the choice between a lens with flexibility and one without flexibility, then surely the flexible one is the best one, right? Well, it’s not really as straightforward as that, because prime lenses do have some good points. To start with, they are lighter than zoom lenses because they have less moving parts. Mechanically speaking, they are simpler.

In addition to this, prime lenses often have wider apertures. The aperture of a lens controls how much light the lens lets in at any one time. Aperture ratings are in ratios, for example 1:3.5 or 1:2.8, but usually when buying a lens you will see it shown without the 1 in front of it, for example 3.5. Lenses with lower aperture numbers are more expensive, because a lower number means a wider aperture. Having a wide aperture produces a shallow depth of field, meaning that only a small distance range is in focus. A narrow depth of field (a wide aperture) would be great for close-ups of flowers where you want the background blurred, whereas a large depth-of-field (a small aperture) would be ideal for landscape photos.

Okay, so how about zoom lenses?

Well, a zoom lens will give you a bigger range of distances to compose your image. This means that you don’t need to walk closer or further away from your subject to get the picture you’re after. It can also be great for taking pictures of wildlife, because you can zoom in without having to change your position, so you will be less likely to frighten the animal off.

The best way to decide which type of lens is right for you is to ask yourself what kinf of photography you are going to be doing. If you are going to be shooting a scene which remains still, such as a landscape scene, then a prime lens could be a good choice. If on the other hand you want to shoot things that are moving, such as animals, people, or sports photography, then a zoom lens is essential.

It’s not always easy trying to make this kind of decision, but no matter what you decide, a Canon 85mm Lens or a Nikon 17-55mm 2.8 Lens are good examples of the type of lenses that will always be useful to have as part of your photography kit.

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